Swarm - Softcover

But all too often, the reader finds little that's this concrete to catch hold of: Graham seems to specialize in making the abstract more so. As in past volumes, the poet holds her gorgeous phrasing sternly in check. Here, however, Graham goes further, stripping away all of her art's usual trappings: image, music, the sensory world. "I have severely trimmed and cleared," she informs us, in "From the Reformation Journal," and indeed she has. "Uncertain readings are inserted silently," she adds, traveling away from the problematic first person even as an editor/interrogator both cross-examines and defends the result. In other poems, both God and the beloved figure as "radiant absence," and even a glance in the mirror--"that exit wound"--leads us away from rather toward ourselves.

A swarm, as Graham's notes rather immodestly inform us, is "a body of bees which ... leave the hive or main stock, gather in a compact mass or cluster, and fly off together in search of a new dwelling-place, under the guidance of a queen." Accordingly, these poems find her in the process of abandoning the tropes of mythology and religion, busily destabilizing the old forms in search of the new. Does Graham discover her new dwelling-place? "Explain," the imperative voice in Swarm repeatedly begs, and it's an entreaty worth heeding. Read these poems once, read them again, and you still may be no closer to an answer than you were before. --Mary Park

Jorie Graham is the author of twelve collections of poetry, including The Dream of the Unified Field, which won the Pulitzer Prize. She lives in Cambridge, Massachusetts, where she teaches at Harvard University. The recipient of numerous awards, including the Pulitzer, the Forward Prize and the International Nonino Prize, Graham's work is widely translated.