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The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian régimes to this day.
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About the Author:
Language Notes:
Hilmar Hoffmann is the founder of the Oberhausen International Film Festival and of the German Film Museum in Frankfurt. He is Honorary Professor of Film Studies at Marburg University, an Honorary Member of Tel Aviv University, and a member of the panels of judges for the Moscow, Karlsbad, Locarno, and Cannes film festivals. For twenty years he served on the City Council of Frankfurt, where he as responsible for cultural affairs. He has been President of the Goethe Institutes since 1993.
Text: English (translation)
Original Language: German
Original Language: German
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- PublisherBerghahn Books
- Publication date1997
- ISBN 10 1571811222
- ISBN 13 9781571811226
- BindingPaperback
- Edition number1
- Number of pages272
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