I'd Hate Myself in the Morning: A Memoir (Nation Books) - Softcover

RING LARDNER is considered the greatest writer of all time on the sport of baseball. His works include "You Know Me, Al, Gullible's Travels, Treat 'Em Rough, The Real Dope, Own Your Own Home, The Big Town," and many others. He died in 1933, at the age of forty-eight.
JEFF SILVERMAN, a former columnist for the" Los Angeles Herald Examiner," has written for" The New York Times, "the" Los Angeles Times," and several national magazines. He is also editor of "The Greatest Baseball Stories Ever Told" (page 206), "Classic Baseball Stories" (page 14), "The Greatest Golf Stories Ever Told "(page 169), "Classic Golf Stories" (page 170), "Bernard" "Darwin on Golf" (page 21), and "The Greatest Boxing Stories Ever Told "(page 206). He lives with his family in West Chester, Pennsylvania.

An Oscar-winning screenwriter and the last surviving member of the Hollywood Ten, LardnerDwho passed away only 13 days ago takes the title for his slender memoir from his famous reply to the chairman of the House Un-American Activities Committee. "I could answer," he said when asked if he had ever been a member of the Communist Party, "but if I did I would hate myself in the morning." Responding with humor when others would be indignant is one of Lardner's most appealing characteristics, along with his refusal to exaggerate the importance of the Hollywood blacklist. While quietly elucidating the professional harm and personal suffering experienced by screenwriters, directors and actors denied employment for more than a decade, the author also comments, "My nine months in prison is hardly to be compared to, say, the punishment endured by Andrei Sakharov or Nelson Mandela"Dnot even, he adds, to the struggles of civil rights activists. This levelheaded perspective is also notable in passages on the physical indignities of old age where Lardner, 85, remarks of treatment for his many ailments, "The best you can hope for is essentially a stay of execution." In addition to his political life, the author sketches his screenwriting career, whose highlights include Woman of the Year in 1942 and M*A*S*H in 1970, and briefly profiles his famous father, Ring Lardner Sr., his mother and three brothers. Most of this material will not be new to readers of his previous book, The Lardners (1976)Dindeed, some of it is word for word the sameDbut a new generation of film buffs and others interested in the McCarthy era will probably be just as charmed by Lardner's wit and unpretentiousness as their parents were. (Jan.)
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