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Garcia, Cristina King of Cuba: A Novel ISBN 13: 9781476710242

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9781476710242: King of Cuba: A Novel
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Told with wry wit and keen insight, this entertaining and richly satisfying story about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator—from the National Book Award finalist and author of Dreaming in Cuban.

Vivid and alive, Cristina García’s new novel transports readers to Cuba, to Miami, and into the heads of two larger-than-life men—a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. In King of Cuba, the National Book Award finalist and author of Dreaming in Cuban, writing at the top of her form with humor and humanity, returns to the territory of her homeland.

El Comandante, an aging dictator, shambles about his mansion in Havana, visits a dying friend, tortures hunger strikers in one of his prisons, and grapples with the stale end of his life that is as devoid of grandeur as his nearly sixty-year-old revolution. Across the waters in Florida, Goyo Herrera, a Miami exile in his eighties, plots revenge against his longtime enemy—the very same El Comandante—whom he blames for stealing his beloved, ruining his homeland, and taking his father’s life. Herrera would gladly “wear chains on his ankles, chisel stones for his remaining days, even become a goddamn Democrat for the gratification of personally expediting the tyrant’s journey back to the Devil, with whom he’d obviously made a pact.”

With her masterful twinning of El Comandante and Herrera, along with the rabble of other Cuban voices that combine to create a chorus of history’s unofficial stories, García plumbs the passions and realities of these two Cubas—on the island and off—and offers a pulsating story that entertains and illuminates.

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About the Author:
Cristina García is the author of six novels, including the National Book Award finalist Dreaming in Cuban; children’s books; anthologies; and poetry. She is the recipient of a Guggenheim Fellowship and a Whiting Writers’ Award, among other honors, and is currently University Chair in Creative Writing at Texas State University-San Marcos. Visit her website at CristinaGarciaNovelist.com.  
Excerpt. © Reprinted by permission. All rights reserved.:
King of Cuba 1.

By the Sea

Havana


El Comandante gazed out the window at the stale light of another tropical morning, at the long curve of crumbling seaside buildings. Spindly, sun-sick palms splintered the skies with their spiky fronds. The sea was a rumpled bed of blues. The usual lovebirds tangled on the malecón, verging on public fornication. He’d passed laws against such displays but it hadn’t deterred the couples. The seawall remained theirs, as it had for generations of lovers before them. It was bad enough that Cuba had a reputation as the brothel of the Caribbean—in a desperate bid for foreign currency, he’d once pronounced his country’s prostitutes the healthiest and best educated on the planet—but this was hardly a laudable distinction.

The tyrant was accustomed to being exceptional, and so he didn’t expect that rules governing ordinary human mortality should apply to him. Nothing in his life had followed anyone else’s rules, so why must he go the way of every mediocre nobody on the planet? Dying, he’d decided, was a fate for lesser men. He didn’t believe in death, at least not for him. From the corner of his eye, he checked the expression on the nurse’s face as she cleaned him up. Not a trace of derision or disgust. He’d read her dossier. Twelve years in the secret service, here and abroad. A regular Mata Hari. Certainly she’d had to execute more disagreeable tasks than this.

El Comandante struggled to open the window nearest him. “Carajo, somebody help me with this goddamn thing!” he thundered, prompting the assistant his wife had dubbed El Huele Huele, the ass sniffer, to scurry in and prop it open with a wedge of plywood. Turbulent southeast winds blew straight for his enemies in Miami. The distaste of their collective name—gusanos—was an old poison on his tongue. Those worms were a wiped-out class here, their legacy extinct, and he’d made sure it would stay that way. He elbowed aside a goose-down pillow. He’d left his mark on history with ink, and action, and blood. Not even the most bitter, pathetic exile shopkeeper could deny him that. The tyrant shifted onto his left hip, aiming his scrawny buttocks at the Straits of Florida, and released a sputtering, malodorous stream of flatus.

“Take that, you fat-livered idiots,” he muttered, slumping against his padded headboard. Satisfied, he smoothed the top sheet over his withered knees, then coughed until he felt his ribs would snap.

Another minion appeared with a pitcher of water, his pills, and the day’s newspapers stacked high on a portable desk. El Comandante reached for his bifocals. He didn’t trust anyone’s editing of world events. Nobody saw opportunity, the plots and betrayals bubbling below the surface of politics-as-usual, like he did. His grandchildren had taught him how to navigate the Internet, but its distractions were pernicious: pornography websites and chat rooms on penile implants that wasted precious hours of what remained of his life. These days sex seemed to him a muscle memory in the loins—a waxy heat that had telegraphed pleasure to the very root of his spine, rendering him pure animal. Those sensations had vanished in the end, and only the many lives he’d engendered remained, trapping him in nooses of competing demands until he regretted that celibacy hadn’t come sooner.

There was no mention of him in the foreign press, though it was the official anniversary of the Revolution. Instead other world leaders populated the front pages like so many party crashers. Hijos de puta. His government’s rag had published a ten-page spread of him that included the same old photographs, recycled interviews, and a picture of his brother Fernando that was a quarter inch larger around than his. Somebody would pay dearly for that mistake. In recent years, El Comandante was usually featured, when he was featured at all, with his junior bad-boy counterpart in Venezuela, now deceased, a megalomaniac toward whom it had been difficult to keep a civil public face. If it hadn’t been for his vast reserves of oil—sugar and oil, the island would grind to a halt without either—their alliance would’ve ended like the infamous party at Guatao.

Dry toast and oatmeal again. What he wouldn’t give right now for a porterhouse steak and three fried eggs, over easy, followed by a double scotch. Fuck it if his insides turned to lead. It was only a matter of time before his dentures were on display at the Museum of the Revolution, which, it so happened, was preparing another cradle-to-near-grave retrospective on his life. El Comandante examined his hands, which bulged from his wrists like oven mitts. The doctors had no explanation for the swelling, which seemed to come and go with the tides. He pulled out a pocket mirror and checked his eyes. They looked pouchy and tinged with gray. Sleep was a luxury he couldn’t afford. In any given twenty-four hours, somebody, somewhere, was plotting to kill him. By staying awake, the tyrant believed he could detect plots like radar, monitor conversations, sotto voce vituperations, allegiances forged with a curse and a handshake.

Over the years he’d thwarted every dirty trick and assassination attempt in the book. The most ludicrous failures gave him the most pleasure to recount: the exploding Cohiba cigars, the arsenic-laced milk shakes, the foot powder meant to make his beard fall out. There was that memorable CIA agent, too, who’d masqueraded as a journalist—the comely Elizabeth Bond, a lesbian, had volunteered for the assignment, certain she could resist her target’s charms (she couldn’t). Another low point: the sixteen-foot Nile crocodile trained by its exile handlers to attack his femoral artery. The reptile, unleashed at a black-tie affair in Cairo, dispatched the French ambassador instead.

The price of power—ceaseless vigilance—was high, but El Comandante was willing to pay it. Who was it who said if you lived long enough, you’d see your reputation maligned three times? That, in his estimation, was a modest number. Soon enough he planned to set the record straight, to put an end to the creeping amnesia regarding the glories of his revolution. He’d ordered Fernando to develop a program that would reenact the regime’s most illustrious days: the attack on the Moncada barracks; the “History Will Absolve Me” speech during the despot’s 1953 trial for treason; the landing of the Granma on the shores of Oriente; the triumph at the Bay of Pigs. El Comandante hoped that these commemorations would draw hordes of tourists—politically sophisticated ones, not the cheap rum and whore chasers currently invading the island. Hard currency in hand, they, too, would help cement his legacy.

The inaugural program, a restaging of the sixty-eight-hour Bay of Pigs invasion, had been scheduled for April but was postponed due to logistical problems until his birthday next month. The tyrant had warned that heads would roll should there be further delays. His ambassadors had extended invitations to dignitaries worldwide and, after extensive auditions, he’d personally selected a dashing militiaman to play the younger him. The soldier had no acting experience but boasted impeccable Communist Party credentials and promised to grow a suitably scraggly beard for the role.

El Comandante flung aside La Prensa. A staunch ally in the Buenos Aires workers’ movement had been killed during a strike. It was a much-battered cliché to say that when a man approached the portal of death, even as die-hard an atheist as he would quaver at the prospect of eternal nothingness and beg, at the last humiliating moment, for a priest and the promise of salvation. But to El Líder, God remained an elaborate fiction, at least the God of his Latin-spouting Jesuit teachers. If, as they’d maintained, every man was made in His image, why not simply go a step further and become Him? After all, the tyrant hadn’t merely survived, he’d lived—flauntingly, outrageously—in the shadow of an imperial power bent on his destruction for the better part of adjoining centuries. If that didn’t qualify him for deification, nothing could.

He rejected agnosticism, too, though an agnostic was probably the most sensible thing to be if you were a gambling man. These days when he tried to imagine God, something he did more often of late, he pictured Him as a massive, pulsing neural network of simultaneity and multidimensional consciousness. Come to think of it, this image was pretty identical to his own job. Such sacrilegious thinking pleased the tyrant. Years ago he’d incensed the island’s archbishop by arguing that the Church, given its propensity for propaganda, dogmatism, and absolute authority, could be construed as the perfect Socialist state; a good Catholic as the perfect, unquestioning Socialist man. Even death was a form of socialism, leveling the noble and the ignoble, the king and the humble shoveler of shit to the same classless fate.

In the end, who was to say what mattered—illusion, or reality? After more than a half century of revolutionary reality, not a single soul on the island could’ve survived without illusion. Revolution required illusion. The two went hand in glove, like a plate of rice and beans. His revolution had attempted to wrest dreams of a better future from the ever gristly, unyielding present—and without the luxury of an afterlife either. At the very least, it’d provided every citizen with this: the opportunity to participate in the greatest narrative in modern times. In the end, Cuba could support just one utopia—his. Why? Because nobody on the island had bigger cojones than he did. Nadie. Except perhaps, at one time, his father.

The tyrant recalled his first vision, at age four, of Papá’s prodigious pinga, steaming like a locomotive after a hot bath and flanked by grapefruit-size balls (or so they’d seemed to him) that hung confidently, hirsutely, where his thick thighs flared. That same evening, as his mother bathed the little despot-to-be, taking care to wash the pink bud of his manhood and dust it with enough talcum powder to make it look like a lump of sugared dough, he worked up the courage to ask: “Mami, will all of me grow?” His puzzled mother had helped him into his calzoncillos before it occurred to her what he was asking. “Ay, mijito, your pinga will be the greatest in the land, in all the Americas, perhaps in all the world!” The boy was cautiously pleased. “Okay, the greatest. But will it also be the biggest?”

His mother grinned, eyes shining, and brought her lips so close to his that he inhaled the garlic from that night’s ajiaco stew. “Don’t you doubt that for a second.” The pint-size tyrant’s chest filled with pride, and he strutted off to bed with big dreams, the biggest of all. He imagined his pinguita growing and growing until it floated high in the skies, a massive flesh-toned dirigible draped with parachute huevones and a proud snout that served as the control room for the whole impressive operation and that nobody—not even the Yankees, with their warships and gun batteries—would ever dare shoot down. “Good night, mi amor.” His mother kissed him on the forehead and gave him an encouraging pat. “Sleep with the angels.” “Good night, Mami.” And with that, the pint-size tyrant rolled over and fell deeply, happily asleep.


Café


As if my nerves weren’t already shot, now the coffeemakers are exploding all over the island. The government is distributing this half-assed café mezclado made with chickpeas. Chickpeas! The mixture clogs up the coffeemakers, heats up too fast, and—¡PÁCATA! Already two people have died, a viejita in Pinar del Río lost her hyperthyroid eye, and I don’t know how many others have been seriously injured by this latest descaro. Not to mention the holes and purple blotches on everyone’s ceilings. I, for one, prefer the blotches to my old, peeling paint.

I swear this must be part of a larger conspiracy to keep us down. How can we protest or organize against the state when we fear for our lives making coffee? This is terrorism at its worst! Hummus terrorism! Mira, I’m going to put the flame on low then head out to the garden and wait. If it blows, at least I won’t go with it.

—Aracely Mondragón, caffeine addict


Miami


Goyo Herrera wasn’t afraid to die, but he was tired of waiting for death. Waiting for the body to shut down, organ by organ, accruing its critical mass of toxins and blockages. There were places in Switzerland, he’d heard, that would facilitate the dying; expensive, antiseptic places in the Alps where tubercular patients once waited like so many hothouse orchids. Already, he might’ve died on any number of occasions in the fifty-plus years since he’d left Cuba: the time he got hit by a taxi on Lexington Avenue, his right leg crushed and shortened by an inch; or the night he was held up outside his Manhattan diner, pistol-whipped and left for dead. There was that kidney stone, too, that nearly killed him in 1978. But if Goyo had learned anything in his eighty-six years, it was that pain alone didn’t kill a man.

Besides, he wanted that son of a bitch in Havana to die first.

Years ago he and El Comandante had been acquaintances, Goyo told anyone who would listen. But the truth was a lesser and more complicated reality. The two had barely known each other at the university, where Goyo was a quiet chemistry major and he was a loudmouthed law student perpetually hungry for the limelight. Goyo had spent many waking hours and a good number of sleeping ones regretting the lost opportunity of shooting the bastard. In those days it wasn’t uncommon for even a quiet chemistry major to carry a gun, and Goyo was a crack shot, having practiced since boyhood on tin cans and chickens.

Ay, he would gladly give up everything he owned—his oceanfront condo on Key Biscayne, his collapsing brownstone off Second Avenue, every last cent of his considerable fortune, even the weekly rendezvous with the shapely bank teller Vilma Espín, who was a magician of hand-mouth coordination and kept him in fighting form since his wife of fifty-nine years had died unexpectedly last New Year’s Eve—for the privilege of killing his nemesis. He’d wear chains on his ankles, chisel stones for his remaining days, even become a goddamn Democrat for the gratification of personally expediting the tyrant’s journey back to the Devil, with whom he’d obviously made a pact.

It wasn’t for politics alone that Goyo would’ve murdered that swaggering cock but for his mistreatment of the woman Goyo had loved above all others: Adelina Ponti, a pianist whose interpretations of Schubert’s early piano sonatas had won his heart. That good-for-nothing had disgraced Adelina, left her with a child, a boy she named after her errant lover, who never recognized el niño as his own. For two years, Goyo anonymously sent Adelina money to help support her son, until the day he learned that she’d hanged herself from a chandelier in her parents’ sunny music room, her bare feet grazing the keys of their Steinway baby grand. A plaster bust of Franz Schubert stood watch on a nearby shelf.

Goyo’s reasons for wanting to kill the tyrant multiplied prodigiously after the Revolution—his father’s suicide, his younger brother Marcos’s death in the Bay of Pigs—and his hatred deepened with the ensuing decades of Communist corruption and lies. There was no one in the world he loathed...

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  • PublisherScribner
  • Publication date2013
  • ISBN 10 1476710244
  • ISBN 13 9781476710242
  • BindingHardcover
  • Edition number1
  • Number of pages256
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Synopsis: Told with wry wit and keen insight, this entertaining and richly satisfying story about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictatorfrom the National Book Award finalist and author of Dreaming in Cuban. Vivid and alive, Cristina Garcías new novel transports readers to Cuba, to Miami, and into the heads of two larger-than-life mena fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. In King of Cuba, the National Book Award finalist and author of Dreaming in Cuban, writing at the top of her form with humor and humanity, returns to the territory of her homeland. El Comandante, an aging dictator, shambles about his mansion in Havana, visits a dying friend, tortures hunger strikers in one of his prisons, and grapples with the stale end of his life that is as devoid of grandeur as his nearly sixty-year-old revolution. Across the waters in Florida, Goyo Herrera, a Miami exile in his eighties, plots revenge against his longtime enemythe very same El Comandantewhom he blames for stealing his beloved, ruining his homeland, and taking his fathers life. Herrera would gladly "wear chains on his ankles, chisel stones for his remaining days, even become a goddamn Democrat for the gratification of personally expediting the tyrants journey back to the Devil, with whom hed obviously made a pact." With her masterful twinning of El Comandante and Herrera, along with the rabble of other Cuban voices that combine to create a chorus of historys unofficial stories, García plumbs the passions and realities of these two Cubason the island and offand offers a pulsating story that entertains and illuminates. About the Author: Cristina García is the author of six novels, including the National Book Award finalist Dreaming in Cuban; childrens books; anthologies; and poetry. She is the recipient of a Guggenheim Fellowship and a Whiting Writers Award, among other honors, and is currently University Chair in Creative Writing at Texas State University-San Marcos. "About this title" may belong to another edition of this title. Seller Inventory # ABE-1634329276416

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