From Publishers Weekly:
Selected by poet James Tate for inclusion in the National Poetry Series, this collection reveals Upton as a gifted poet with a soft-toned but exacting sensibility. An explorer of minutiae, she creates in her best poems unforgettable, precisely rendered microcosms that suggest a quiet lyricism pervading everyday life. In a pond she finds "the nerves of water, the freshwater whelk's red / jelly eggs, the roots of a flossy lily." In a friend's collection of decorative miniatures--where "life requires / tweezers, a beauteous order"--are observed "pears so delicate they float / as if a breath might fling them / against the tiny windows." Poems often follow an incident of apparently modest significance--a train ride, buying a piano--to its quixotic conclusion, subtly measuring the inevitable distance between real and ideal, beloved and lover. The poems founder only when witticisms obtrude or abstractions and rhetorical questions become unhappily jumbled.
Copyright 1989 Reed Business Information, Inc.
From Library Journal:
In this, Upton's second book--a National Poetry Series award winner chosen by James Tate--Upton writes about love, loss, and the connections between people. Upton's best poems--e.g., "New Year's Eve on a Train" and "The Interpreter"--are about travel and what it reveals. There are some impressive images here--"the tiny wings of an orange" and "clear soup . . . like drinking rain"--but some of the poems lack focus, and Upton's conversational tone drifts too often toward prose. Still, good insights and a distinctive style and world view are evident. For larger poetry collections.
- Doris Lynch, Oakland P.L., Cal.
Copyright 1989 Reed Business Information, Inc.
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