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Happy Feet: The Savoy Ballroom Lindy Hoppers and Me - Hardcover

 
9780152050573: Happy Feet: The Savoy Ballroom Lindy Hoppers and Me
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On March 12, 1926, the doors of the Savoy Ballroom swung open in Harlem. It was a night to remember, when blacks and whites, rich and poor, all came together to dance!

This inspiring story of the world-famous dancing palace and home of the Lindy Hoppers is told from a father to his son, Happy Feet. It's Happy Feet's favorite story--after all, he was born on the very night the Savoy opened. And he hopes that one day he'll make his own dancing debut at the legendary ballroom . . . because with a lot of hard work and a little Savoy magic, anything is possible.

Includes an author's note with biographies of Swing-Era dancers.

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About the Author:
RICHARD MICHELSON is the talented author of several books for children. He owns an art gallery and lives in Northampton, Massachusetts.

E. B. LEWIS is the award-winning illustrator of many books for children, including Coming on Home Soon, winner of a Caldecott Honor; Down the Road, an ALA Notable Children's Book, and Talkin' About Bessie: The Story of Aviator Elizabeth Wieman by Nikki Grimes, winner of the Coretta Scott King Illustrator Award. He lives in Folsom, New Jersey.
From School Library Journal:
Grade 2-4–A boy affectionately called Happy Feet sits in his father's shoeshine shop in Harlem and listens to the story of the night he was born in 1926. On that same night, the doors opened across the street at the famous Savoy Ballroom, one of the first venues where blacks and whites could dance together. Twistmouth himself knocked on the door, asking the cost of a premium shine. â No charge,' I told him, â it's jelly on the cuff.' â Well then, alligator,' he said, â are your boots laced?' And he ticketed us both across the street to the head of the line. The story captures the mood and language of Harlem in the '20s and '30s, and introduces some of the famous faces at the Savoy, including Twistmouth George Ganaway, Musclehead Frank Manning, Big Bea, and others who invented dance steps that became famous in the swing era. Lewis's rich-toned watercolors bleed in and out of focus for the dancing scenes, transmitting excitement and joy. â When folk are swinging,' Whitey sings, â ain't nobody better than nobody! Salt and pepper–equals! Cats and chicks–equals! Everybody just coming to dance.' Happy Feet takes a backseat to the characters in his father's story, serving really as a framing device; it works fine for this charming, brief tale that makes a dramatic read-aloud introduction to swing and the Savoy.–Nina Lindsay, Oakland Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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