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In this collection of twenty-one unforgettable stories, Joyce Carol Oates explores the mysterious private lives of men and women with vivid, unsparing precision and sympathy. By turns interlocutor and interpreter, magician and realist, she dissects the psyches of ordinary people and their potential for good and evil with chilling understatement and lasting power.

In "Faithless," two adult sisters recall their mother's disappearance when they were children. In "Ugly," a bitterly angry young woman defines herself as ugly as a way of making herself invulnerable to hurt and in so doing hurts others. In "Lover," a beautiful young woman locked into an obsessive love affair seeks her revenge in a bizarre, violent manner. In "Gunlove," a woman in thrall to a powerful erotic fetishism recounts in brief, deadpan vignettes a history of her relations with firearms.

Intense and provocative, Faithless is a startling look into the heart of contemporary America from the modern master of the short story.

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Review:
Penzler Pick, March 2001: I guess it's no secret that I regard Joyce Carol Oates as one of the great living American writers, both of mystery-crime-suspense fiction and of virtually every other form invented. I previously reviewed Blonde, which went on to be nominated for a National Book Award, and it's my joy to be able to recommend Faithless: Tales of Transgression, the stories within which are about as good as the short story gets. (Full disclosure here, with the admission that I might be a trifle prejudiced in favor of this volume. It is dedicated to Alice Turner, the former fiction editor of Playboy, and to me--largely, I reckon, because several of these stories were written especially for several anthologies of which I was the editor.)

There are 24 stories in this generous volume and while some inevitably linger longer in the memory than others, there is not a dull spot in its nearly 400 pages. The title story is a haunting tale of the disappearance of a woman as recalled by her two daughters, grown now. The ending is utterly expected but, nevertheless, comes as a shock. "The Vampire" is not at all a horror story, at least not in the sense that it involves in any way elements of the supernatural, but has a growing sense of pure terror as the reader comes to see the way in which one person can absorb all the life out of another.

In "The High School Sweetheart: A Mystery," a famous mystery writer reads a speech as he accepts the presidency of the most prestigious of all mystery organizations. The speech is delivered as a piece of fiction that appears to be a confession of a horrific crime committed during his teen years while besotted with a girl two years older than he. When the speech ends, the audience cannot imagine applauding because the story seems so true. Is it?

Once again, the incomparable Joyce Carol Oates has produced a compelling and important volume for the shelves of anyone who cares about distinguished suspense fiction. --Otto Penzler

About the Author:

Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys, Blonde, which was nominated for the National Book Award, and the New York Times bestseller The Falls, which won the 2005 Prix Femina. Her most recent novel is A Book of American Martyrs. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.

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  • PublisherEcco
  • Publication date2001
  • ISBN 10 0060185252
  • ISBN 13 9780060185251
  • BindingHardcover
  • Edition number1
  • Number of pages400
  • Rating

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