In "A Critical Reassessment," which appeared in The Nation in 1962, Harvey Curtis Webster, of the University of Louisville, wrote in part:
"Gwendolyn Brooks has never denied her engagement in the contemporary situation or been over-obsessed by it. In her engagement she resembles Langston Hughes, Countee Cullen and Margaret Walker. IN her ability to see through the temporal she equals Richard Wright, James Baldwin and Ralph Ellison, writers of fiction who accept Negro-ness as prizeable differentiation and a dilemma, include it to transcend it...Like all good writers she acknowledges Now by verifying it accepts herself and the distinguishing background that is part of her distinction. But she refuses to let Negro-ness limit her humanity...
"She is a very good poet, the only superlative I dare use in our time of misusage; compares not to other Negro poets or other women poets but to the best modern poets, she ranks huigh."
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"Miss Brooks has a very fine talent...a faculty which is becoming rare in contemporary poetry: an interest not merely in her own responses, but in other people as well." -- Paul Engle
"About this title" may belong to another edition of this title.
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