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Once the Old House Bookshop is up and running, Florence is subjected to the hilarious perils of running a subscription library, training a 10-year-old assistant, and obtaining the right merchandise for her customers. Men favor works "by former SAS men, who had been parachuted into Europe and greatly influenced the course of the war; they also placed orders for books by Allied commanders who poured scorn on the SAS men, and questioned their credentials." Women fight over a biography of Queen Mary. "This was in spite of the fact that most of them seemed to possess inner knowledge of the court--more, indeed, than the biographer." But it is only when the slippery Milo North suggests Florence sell the Olympia Press edition of "Lolita" that Florence comes under legal and political fire.
Fitzgerald's heroine divides people into "exterminators and exterminatees," a vision she clearly shares with her creator--but the author balances disillusion with grace, wit, and weirdness, favoring the open ending over the moral absolute. Penelope Fitzgerald's internecine if gentle world view even extends to literature--books are living, jostling things. Florence finds that paperbacks, crowding "the shelves in well-disciplined ranks," vie with Everyman editions, which "in their shabby dignity, seemed to confront them with a look of reproach." One senses that classic hardcovers would welcome The Bookshop, despite its status as a paperback original. --Kerry Fried
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